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The Philip Jones Fellowship The Ephemera Society of America is no longer receiving applications for the Philip Jones Fellowship for the Study of Ephemera. The funding for this competition has been exhausted. We may revisit this in the future. We thank you for your interest. The Fellowship was

Ephemera Conference 39 – 2019 Conference Focus: Coming to Americaβ€”The Immigrant Experience The Ephemera Society of America’s thirty-ninth annual conference, Coming to Americaβ€”The Immigrant Experience on March 14–17, 2019, at the Hyatt Regency Hotel, Old Greenwich, Connecticut. The story of North America is a story of immigration. With the exception of

Ephemera 42 Brochure

[…] ceiling and wall finishes, stained-glass, ornate plasterwork, parquetry floors, and carved woodwork. Textile magnate Henry Lippitt acted as general contractor for the house and among his archival materials in the museum’s collection are a contract memo book, invoices, and trade cards. Additional ephemera, such as sheet music, historic photos, and advertising materials, are used […]

Demonizing Our WWII Enemies

The world of printed ephemera reveals something interesting: WWII was the last American war in which demonizing the enemy was widely practiced, popular and totally acceptable in ways that would be politically unacceptable today. Exceptions can, of course, be found, but such blatantly vicious imagery was not widespread during the[…]

The Mission of the Ephemera Society The Ephemera Society of America, Inc. (ESA) is a non-profit organization formed in 1980 to cultivate and encourage interest in ephemera and the history identified with it; to further the understanding, appreciation, and enjoyment of ephemera by people of[…]

Benefits of Membership Camaraderie Among the more valuable aspects of The Ephemera Society is its camaraderie. Sharing a passion is one of life’s great pleasures. The ESA offers information, answers, and a special bond of friendship. We encourage interest[…]

Ephemera 42 Brochure (lo res)

[…] ceiling and wall finishes, stained-glass, ornate plasterwork, parquetry floors, and carved woodwork. Textile magnate Henry Lippitt acted as general contractor for the house and among his archival materials in the museum’s collection are a contract memo book, invoices, and trade cards. Additional ephemera, such as sheet music, historic photos, and advertising materials, are used […]

Duck and cover!

During the Cold War days of the 1950s and 1960s, it began to seem inevitable to one and all that atomic bombs might well soon rain down. At first, mass hysteria ensued, slowly replaced by resigned shrugs as public attention wandered elsewhere. At the height of the phenomenon, bomb shelters[…]

Ephemera 42 Brochure

[…] ceiling and wall finishes, stained-glass, ornate plasterwork, parquetry floors, and carved woodwork. Textile magnate Henry Lippitt acted as general contractor for the house and among his archival materials in the museum’s collection are a contract memo book, invoices, and trade cards. Additional ephemera, such as sheet music, historic photos, and advertising materials, are used […]

Die-Stamped Wooden Trade Card

One prized acquisition at the recent Ephemera Society conference and fair in Greenwich was a trade card, apparently, made of wood! Produced by the Ornamental Wood Manufacturing Company of Bridgeport, CT, bearing a patent date of October 18, 1865, it measures @4 1/4” x 2 3/4”, and is @ 1/4β€œ[…]